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Zeiss 28mm f 2.0 ZF Distagon Lens for Select Nikon Manual Focus Cameras Reviews
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Zeiss 28mm f 2.0 ZF Distagon Lens for Select Nikon Manual Focus Cameras Reviews
5 of 5 people found the following review helpful 
The Best 28mm Lens Not Made By Nikon for its Manual Focusing SLRs, July 20, 2008 By This review is from: Zeiss 28mm f 2.0 ZF Distagon Lens for Select Nikon Manual Focus Cameras (Electronics) This fantastic Zeiss Distagon lens is a slightly improved version of the legendary Contax SLR Zeiss 28mm f2 Distagon which, unfortunately, was not produced as long as its f2.8 sibling. Without a doubt, this lens (or rather, the Zeiss version which I do own) is the best 28mm lens I know of for manual focusing Nikon SLR cameras. It offers superb contrast and resolution at virtually all apertures, with optimal performance at f4 and slower apertures. However, still at both f2 and f2.8, this lens demonstrates superb contrast and resolution from the center of the lens outward towards its edges. This is a great lens which I strongly recommend for available light photography, but I can also recommend it too for all-around, general purpose photography as well. Due to its superior T* multicoating and ample aperture blades (I believe either 9 or 10), it renders out-of-focus areas with a very pleasant, almost subtle, bokeh.
4 of 4 people found the following review helpful Another artist's lens, July 11, 2008 By This review is from: Zeiss 28mm f 2.0 ZF Distagon Lens for Select Nikon Manual Focus Cameras (Electronics) Without a doubt, the ZF 28/2 Distagon has considerable "personality" which must be understood to exploit it fully. The Zeiss designs are clearly "artist's lenses"--they do not render images generically like the brand-name alternatives. Some of them draw so differently that the usual "by the numbers" comparisons are actually quite misleading. The ZF line offers image rendition unlike any other lens line, together with astonishing consistency in color rendition and flare control.
The 28/2 Distagon has some close-range field curvature which can be exploited to good effect, along with beautiful bokeh, stunning contrast and superb flare control.
The Zeiss ZF 28/2 Distagon offers great artistic possibilities at f/2 (for several different optical reasons). By comparison, an f/2.8 lens has 1.4X the depth of field of an f/2 lens, and thus loses such expressive potential. This is one reason that I wish Zeiss had made the 25/2.8 Distagon an f/2 design instead, and why a... Read more
› See both customer reviews...
| 5 of 5 people found the following review helpful The Best 28mm Lens Not Made By Nikon for its Manual Focusing SLRs, By This review is from: Zeiss 28mm f 2.0 ZF Distagon Lens for Select Nikon Manual Focus Cameras (Electronics) This fantastic Zeiss Distagon lens is a slightly improved version of the legendary Contax SLR Zeiss 28mm f2 Distagon which, unfortunately, was not produced as long as its f2.8 sibling. Without a doubt, this lens (or rather, the Zeiss version which I do own) is the best 28mm lens I know of for manual focusing Nikon SLR cameras. It offers superb contrast and resolution at virtually all apertures, with optimal performance at f4 and slower apertures. However, still at both f2 and f2.8, this lens demonstrates superb contrast and resolution from the center of the lens outward towards its edges. This is a great lens which I strongly recommend for available light photography, but I can also recommend it too for all-around, general purpose photography as well. Due to its superior T* multicoating and ample aperture blades (I believe either 9 or 10), it renders out-of-focus areas with a very pleasant, almost subtle, bokeh. 4 of 4 people found the following review helpful Another artist's lens, By This review is from: Zeiss 28mm f 2.0 ZF Distagon Lens for Select Nikon Manual Focus Cameras (Electronics) Without a doubt, the ZF 28/2 Distagon has considerable "personality" which must be understood to exploit it fully. The Zeiss designs are clearly "artist's lenses"--they do not render images generically like the brand-name alternatives. Some of them draw so differently that the usual "by the numbers" comparisons are actually quite misleading. The ZF line offers image rendition unlike any other lens line, together with astonishing consistency in color rendition and flare control.The 28/2 Distagon has some close-range field curvature which can be exploited to good effect, along with beautiful bokeh, stunning contrast and superb flare control. The Zeiss ZF 28/2 Distagon offers great artistic possibilities at f/2 (for several different optical reasons). By comparison, an f/2.8 lens has 1.4X the depth of field of an f/2 lens, and thus loses such expressive potential. This is one reason that I wish Zeiss had made the 25/2.8 Distagon an f/2 design instead, and why a... Read more |
› See both customer reviews...
